By Hillary Harder On Sunday, July 26, our students returned to Quito from their service communities and we began our final retreat together! The afternoon was full of joyful reunions as each student arrived at our Quito home, la Casa…

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Seamus Heaney HomePlace Museum
Jun 08 2026
In the first week of our trip, after a day of orientation and rest, we took our first excursion: a long and bumpy bus ride from Corrymeela to Seamus Heaney HomePlace in Bellaghy. While the journey there was hot and nausea-inducing for a lot of us, the discomfort was well worth the destination.
It was a beautiful day, so we ate our packed lunches outside, surrounded by the stone walls and high grasses of the farming community that Seamus Heaney grew up in.

Norah eating lunch outside the Seamus Heaney HomePlace Museum (Photo credit: Kenna Rohrer)
We began the experience with a workshop taught by a professor from Ulster University in Coleraine. Our workshop leader gave us a brief overview of the Northern Ireland conflict—“the Troubles”—to provide us with context for some of Heaney’s work. Then, Heaney’s rich, earthy voice narrated his poem “Casualty” as we read along. Our group ranged from those of us with minimal exposure to the world of poetry to poetry enthusiasts, but we were all moved and able to draw different inferences and interpretations from the text.
After the workshop, we were free to walk around the museum and experience more of Heaney’s life and poetry at our own pace.

Norah and Lucca explore the interactive map (Photo credit: Kenna Rohrer)

Javi explores the family section of the museum (Photo credit: Kenna Rohrer)

Isy, Hailey, and Teo learning about Heaney’s life and work (Photo credit: Kenna Rohrer)

Lucca solving a sliding puzzle on the upper level of the museum

Poet facing poet–Kaliah takes in the upper-level exhibit

Mimi being Mimi on the second level (Photo credit: Kenna Rohrer)
Most of us ended up in the coffee shop.

Hayden and Atty at the coffee shop, behind a mobile of some of the local dialect Heaney incorporated into his poems.


