What
influence did attending a Mennonite high school and college have on your work
as a poet?
Who
can say. I never attended a public high school. I know that an
English teacher, Mrs. M. T. Brackbill, was an aesthetic person of real quality.
We studied a bit of Shakespeare. Also, I worked on the Weather Vane
as some kind of contributing editor now and then and that made me happy.
It was sort of idyllic and that was good. Of course, it was so long
ago. I'm sure a lot more is offered now.
Did
you drift away from the Mennonite world as your life became centered in the art world?
That
was related, of course. We were looking for a larger world beyond the
parentheses and I've often said Warren and I ganged up and ran away. It
wasn't so much that the Mennonite world was unwelcoming to the arts, it just
wasn't on the radar screen. They weren't there yet. Once again, it
was so long ago. I'm sure there has been great development since.
What
is your history with poetry?
I
wrote the usual adolescent poetry. Around the age of forty I began to
read a lot of poetry and then in the 70's I began to study and write more but I
have never been steady or prolific. I was so shocked and pleased when the American
Poetry Review began to publish my stuff in the 70's and then Sheep Meadow
Press published a book two years ago. That was an amazing experience.