President Rebecca Stoltzfus reappointed for a third term. Learn more
The Goshen College Board of Directors has unanimously reappointed President Rebecca Stoltzfus to a third term of five years.
President Rebecca Stoltzfus reappointed for a third term. Learn more

News
Jan 15 2024

2013, Mary K. Oyer
UPDATE: Mary’s memorial service was conducted Sunday, March 10, 2024 (watch the livestream here). Memorial contributions may be made to Goshen College, Anabaptist Mennonite Biblical Seminary, Mennonite Central Committee or Mennonite Mission Network.
Mary K. Oyer, professor emerita of music, died on January 11, 2024, in Goshen at the age of 100.

1958, GC Motet Singers
Oyer taught at Goshen College from 1945 to 1987, during which time she developed a Fine Arts course that became legendary among students and was instrumental in bringing wide recognition and acceptance of the fine arts in a Mennonite liberal arts education. She introduced more than 5,000 students to the fundamentals of art and music.
“Mary was a teacher, musician and scholar ahead of her time in so many ways,” said President Rebecca Stoltzfus. “She introduced Goshen College to a truly global soundscape and fundamentally shaped our strong arts and music culture. We are forever indebted to her.”
Oyer also made a significant musical impact on broader Mennonite and ecumenical communities around the world. She played a key role in the publications of two Mennonite hymnals and numerous songbooks, collected and recorded traditional music in 22 African countries, and nurtured the musical gifts of countless students in a lifetime of teaching.
Oyer was born on April 5, 1923, in Hesston, Kansas to Noah and Siddie King Oyer. A year later the family moved to Goshen, where her father became the academic dean and professor of Bible at the college. In 1941, Oyer began attending Goshen College where she majored in music and minored in art. As a cellist, she was also part of the first string musical quartet at the college.
She graduated from Goshen College in 1945 and then began teaching at the college later that year. She started as a cello instructor, a teacher of music courses and a choral ensemble director. During her summers, she studied cello at the University of Michigan in Ann Arbor, where in 1958 she became the first-ever string player to earn a Doctor of Musical Arts performance degree from the university.

1978, leading music at the Mennonite World Conference Photo by Gerald Schlabach
Her interest in ethnomusicology began in 1969 when Oyer traveled to Africa as a Fulbright Scholar. She returned to Goshen with lively enthusiasm for new and broader understandings of music and the arts, which she integrated into her teaching. Following that experience, she spent many more summers over the next two decades in Africa, experiencing African music firsthand and recording regional music in 22 different countries. The 150 tapes from these visits have now been digitized and are part of the Mary K. Oyer African Music Archive at Goshen College. She also served as a visiting professor at Kenyatta University in Kenya in 1985-1986.
After she retired from Goshen College in 1987, she continued teaching for another 10 years at Associated Mennonite Biblical Seminary (Elkhart, Indiana) as professor of church music, and then taught for five years from 1999 to 2004 at Tainan Theological College and Seminary in Taiwan.

2016, photo by John Tirotta
With a history of being a trailblazer, Oyer is credited with ushering in two revolutions in Mennonite worship. The first was her emphasis on the fine arts while teaching at Goshen College, the second was her gift of bringing the sacred music of other cultures into the Mennonite Church.
Oyer is recognized as being integral in shaping what Mennonite music sounds like today. She was instrumental in gathering hymns and songs for the widely used 1969 and 1992 Mennonite hymnals, and for more than six decades taught those hymns to the wider church in myriad worship settings, including national conventions and world conferences. She is well known for her role in helping establish the hymn “Praise God From Whom,” better known as “606,” as the Mennonite “anthem” after she led it in 1969 at the church-wide assembly in Oregon.

Between 1977-1982
Throughout her life, Oyer found exploration of the arts of other cultures to be the most meaningful pathway to understanding those cultures. She earned broad respect for this work and continued to explore diverse types of music within the church, including African American and Native American music.
Oyer’s musical impact extended well beyond Mennonites as she became an active leader in the Hymn Society in North America, where she served as research editor, was a keynote speaker at many conferences, and was inducted as a fellow in 1989.
In 2007, a book titled Nurturing Spirit through Song: The Life of Mary K. Oyer and a DVD titled Nurturing Spirit Through Song: The Legacy of Mary K. Oyer were produced to record Mary’s contributions.

2013, 90th birthday celebration at GC Music Center
Oyer is survived by sister-in-law Carol S. Oyer of Goshen, IN; nieces Rebecca Oyer of Lafayette, LA, Kathryn Oyer of Goshen, and Sarah (Sally) Oyer (Michael Cerceo) of Seattle; nephew Timothy Oyer (Joanne) of Chicago; great-nieces Carrie Friesen-Meyers (Eliot) of Berkeley, CA, Rachael Gingrich (Jonathan) of Portland, OR, Anicka Meyers (Shey Dunlop) of Portland, OR, and Mia Cerceo of Chicago; great-nephews Benjamin Cerceo of Seattle, John Oyer of Chicago, and Noah Oyer of Chicago; and great-great nieces and nephews Greta, Alex, Owen and Leighton. She was preceded in death by her parents, and by siblings Verna I. Oyer and John S. Oyer.
Related links:
https://youtu.be/c7WglitH400?feature=shared