Mennonite/s
Writing in
June 2009
|
Ervin Beck |
Hildi Froese
Tiessen |
|
Professor Emeritus of English |
Professor of English |
|
Goshen College |
Conrad Grebel
University College |
|
Goshen, Indiana, U.S.A. |
Waterloo, Ontario, Canada |
The bibliography consists of two major sections: “Individual
Writers” and “Discussions of Mennonite Literature.”
The bibliography does not include self-published
books, book reviews, or individual poems or stories published in periodicals or
miscellaneous collections
To suggest corrections or additions to this
bibliography, e-mail: ervinb@goshen.edu
Some of the work toward this bibliography was funded
by the Social Science and Humanities Council of Canada. Linda Kimpel and
Linda Rouch have provided technical assistance in maintaining this bibliography.
A. Individual Writers
Books and articles by and about Mennonite-related
writers, mainly since 1960.
David
Bergen
Sitting Opposite My Brother.
A Year of Lesser.
See the
Child.
The Case
of
The Time in Between.
Beck, Ervin. “Resolving Dualisms in David Bergen’s Sitting Opposite My
Brother.” Mennonite Quarterly Review 77:4 (Oct. 2003):
637-46.
Besner, Neil. “
Brown,
Heidi. “David Bergen.” New Quarterly: New Directions in Canadian Writing”
21:2-3 (Sum-Fall 2001): 155.
Walker,
Morley. “David Bergen: In Country.” Quill and Quire. www.quillandquire.com/authors/profile.
Wiens, Adelia
Neufeld. “Writing is Novelist’s
Miller, K.D.
“The Spirit Mover—Or Does It? Are Writers Divinely
Inspired?” New Quarterly: New Directions in Canadian Writing 21:2-3
(Sum-Fall 2001): 256-74.
Hildi Froese
Tiessen. “Where I Come From: An
Interview with David Bergen.” Prairie Fire 17.4
(Winter 1997).
Sandra Birdsell
Night Travellers.
Ladies of the House.
The Missing Child.
The Chrome Suite.
The Two-Headed Calf.
The Town That Floated Away.
The Russlander.
Children of the Day.
Bergman,
Brian. “Pacifist and Doomed.” Maclean’s,
Birdsell, Sandra. “The Confession of a Reluctant Mennonite.” The 2007 Bechtel
Lectures.
__________.
“Introduction,” Hildi Froese
Tiessen, 6-7.
__________.
“Writing from the Outside,” 8-24.
__________.
“Writing from the Inside,” 25-40. Conrad Grebel
Review 26.1 (Winter 2008): 7-40
Birdsell, Sandra. “Interview.” Prairie Bookworld
2 (Summer 1991): 11.
__________. “Robert
Kroetsch: The Class of ‘79.” Prairie Fire 9.1
(1988): 48-55.
“Birdsell, Sandra.” Contemporary
Authors 130. Ed. Susan M. Trosky. Gale: Detroit, 1990. 37.
Diehl-Jones,
Charlene. “Sandra Birdsell’s
Doerksen, Victor G. “‘Our
Father, Which Art in Heaven...’: Some Thoughts on the
Father Image in Mennonite Poetry.” Acts of Concealment: Mennonite/s Writing
in
Duncan,
Isla. “’The Profound Poverty of Knowledge’: Sandra Birdsell’s
Narrative of Concealment.” Canadian Literature 169 (Sum 2001): 85-101.
Froese, Edna. “A Reviewer’s Farewell.” Christian Living Dec 2002:
20-22. On Russlander.
Harrison,
Dallas. “Birdsell, Sandra (1942- ).” Canadian
Writers and Their Works .
Ed. Robert Lecker et al.
__________. “Sandra
Birdsell: An Annotated Bibliography.” Essays on
Canadian Writing 48 (Winter 1992-93): 170-220.
Heinen-Dimmer, Gabrielle. “The
Whole Idea of Empathy: Prairie Realism and Female Narrative Structure in Sandra
Birdsell’s Agassiz Stories.” The Guises of
Canadian Diversity: New European Perspectives. Ed. Jaumain Serge and Marc Maufort.
McCormack,
Eric, et al. “A Conversation with Sandra Birdsell.” New
Quarterly 8 (Summer 1988): 8-22.
The New Quarterly 8 (Summer 1988). Special
issue on Sandra Birdsell, including the McCormack
interview, Birdsell’s “The Birthday Party,” 25-42 and
three stories by other writers selected by Birdsell..
Quennet, Fabienne C. “Gender
Troubles in Sandra Birdsell’s Short Story ‘Judgement.’“ In Ahornblatter: Marburger
Beitrage zur Kanada-Forschung, ed. Andrea Wolff-Wolk.
Stubbs,
Andrew. “The Rhetoric of Narration in Sandra Birdsell’s
Fiction.” Acts of Concealment: Mennonite/s Writing in
Tiessen, Paul. “Minnie
Pullman and the Salvation of the
__________. “Putting
Herself Forward: Naming and Performance in Sandra Birdsell’s
The Russlander.” Mennonite
Quarlerly Review 77:4 (Oct. 2003), 647-62.
__________.”Revisiting Home: Reading Miriam Toews’s A Complicated Kindness and Sandra Birdsell’s Children
of the Day through the Lens of Ontario – Mennonite Literature.” (forthcoming in Mennonite Quarterly Review, January
2008).
Werlock, Abby H. P. “Canadian
Identity and Women’s Voices: The Fiction of Sandra Birdsell
and Carol Shields.” Canadian Women Writing Fiction.
Ed. Mickey Pearlman.
Kevin
James Block
Without Shedding of Blood.
Di Brandt
questions i asked my mother.
Agnes in the Sky.
Mother,
not Mother.
Wild Mother
Dancing: Maternal Narratives in Canadian Literature.
Dancing
Naked: Narrative Strategies for Writing Across
Centuries.
Now You
Care.
Bouquet for St. Mary.
So
This is the World and Here I am in It. Edmondton: NeWest Press, [c. 2007].
Brandt, Di. “A Complicated Kind of Author” [Interview]. Herizons 19.1 (Summer 2005):20-45.
__________.
“Growing Up Among The Wild Mennonites.” Christian
Living July/Aug. 2002: 14-17.
__________. “How
I Got Saved.” Why I Am a Mennonite. Ed. Harry Loewen.
__________. “The Poet and the
__________. “Putting
the Mother Back in the Language: Maria Campbell’s Revisionary Biogeographies and Margaret
Laurence’s The Diviners.” West Coast Line 33.2 (Fall 1999):
86-105.
__________. “Revisiting Dorothy Livesay’s The
Husband.” Capilano Review
2.32 (Fall 2000): 75-89.
__________. “Shapeshifting Strategies for the New
Millennium.” Contemporary Verse 2, 22.4 (Spring 2000): 63.
__________., ed. with Barbara Goddard. Regenerations:
Canadian Women Poets in Conversation.
Fisher,
Sheldon. “Mother, Me, My Daughter: Feminism, Maternity and the Poetry of Di
Brandt.” Wascanada Review 31:1 (Spring 1996): 31-48
Guillemot, Cecile Brisebois. “Wild Mother Dancing: An Interview with Di
Brandt.” Contemporary Verse 2, 23.4 (Spring 2001): 7+.
Lousley, Cheryl. “Home on
the Prairie? A Feminist and Postcolonial
MacDonald,
Patterson,
Randi. “‘The sound the wind makes” on the
Tefs, Wayne. “Rage in Some
Recent Mennonite Poetry.” Acts of Concealment: Mennonite/s Writing in
Williamson,
Janice, ed. Sounding Difference: Conversations with Seventeen
Canadian Women Writers.
Lois
Braun
The Stone Watermelon.
The Pumpkin-Eaters.
The
The
Penance Drummer: Stories.
Michael Bryson
Thirteen Shades of Black and White.
Only a
Melanie
Cameron
Holding the Dark.
Wake.
Bryson,
Michael. “Feature Interview.” The
Danforth Review. Fall
2000.
http://www.danforthreview.com/features/interviews/cameron_interview.htm.
Budde, Robert. “Beyond
Wishing, She Wishes.” In Muddy Water: Conversations with 11 Poets.
Eleanor Hildebrand Chornoboy
Faspa:
A Snack of Mennonite Stories.
Jeff Derksen
Down Time.
Dwell.
Transnational Muscle Cars.
Vancouver: Talonbooks,
2003.
Janice L. Dick
Calm Before the Storm.
Eye of the Storm.
Out of the Storm.
Diane Driedger
Darkness is a Marshmallow.
The Mennonite Madonna.
Dora Dueck
Under the
Still Standing Sun. Kindred. 1989.
Lynette d’Anna Dueck
Sing Me
No More.
Rag Time
Bone.
fool’s bells.
E. F. Dyck
Odpoems &.
Pisscat Songs. Ilderton, Ont.: Brick Books, 1983.
Mossbank Canon.
Apostrophes to Myself. Lantzville, B.C.: Oolichan Books, 1987.
Amprimoz, Alexandre L. “Death and the Long Poem: E. F. Dyck’s The Mossbank Canon.”
Canadian Poetry: Studies, Documents, Reviews 20
(Spring -Summer 1987): 80-89.
David H.
Elias
Crossing the Line.
Places of
Grace.
Sunday
Afternoon.
Froese, Edna. “David
Elias: Beyond Ungrace.: Christian Living Oct.-Nov. 1999, 25-27.
“Transgression
into Grace: David Elias’s Sunday
Afternoon.” (forthcoming
in Mennonite Quarterly Review,
January 2008).
Victor Jerrett Enns
Jimmy Bang Poems.
Correct
in This Culture.
A Poem of Pears.
Lucky
Bernice
Friesen
Sex, Death and
Naked Men.
The Book of
Beasts. The Book
of Beasts.
The Seasons Are Horses.. (Stories)
Patrick
Friesen
the
lands I am.
Bluebottle.
The Shunning.
Unearthly Horses.
Flicker and Hawk.
You Don’t
Get to Be a Saint .
Blasphemer’s
Wheel.
A Broken Bowl.
st. mary at main.
Carrying the Shadow.
The
Breath You Take from the Lord.
Bordello Poems.
Interim: Essays and Mediations.
Earth’s
Crude Gravities.
with
Marilyn Lerner, Peggy Lee and Niko Friesen. Calling the Dog Home: a
Cycle of Poems with Music
Barker,
Peter. “The Poetry of Experience: An Interview with Patrick Friesen.” Prairie
Fire 7:1 (Spring 1986): 5-14.
Friesen,
Patrick. “I Could Have Been Born in
__________. and Marilyn Lerner. Small Rooms. Westcoast
Performance:
“Friesen,
Patrick.” Contemporary Authors 32 (new rev.). Ed. James G. Lesniak.
Gundy, Jeff.
“Voice and History in Patrick Friesen.” The New
Quarterly [Mennonite/s Writing in
Hostetler,
Sherri. “Interview: Poet Patrick Friesen: One Foot In, One Foot Out.” Mennonot 1 (Fall 1993): 5-9.
Lenoski, Daniel. “The
Sandbox Holds Civilization: Pat Friesen and the Mennonite Past.” Essays on Canadian Writing. Ed.
Jack David. Downsview, Ont.:
Pearson,
Tefs, Wayne. “
Tiessen, Hildi Froese. “Hooked, but Not
Landed: A Conversation with Patrick Friesen, Part II.” Prairie Fire 2:2
(1990): 152-9.
__________. “Zen,
Grace, and Flying: A Conversation with Patrick Friesen, Part 1.” The New
Quarterly [Mennonite/s Writing in
__________ and G. N. Louise Jonasson, eds. Prairie Fire [special issue on
Patrick Friesen] 13 ( Spring 1992).
— Hildi Froese Tiessen,
“Words Are Not Enough,” 5-7.
— Patrick
Friesen, “A Biography in Outline,” 8-9.
— Robert Enright, “Parallel Language: A Conversation between Patrick
Friesen. . .” 11-29.
— Kim McCaw, “The Shunning by Flashlight,” 34-47.
— Peter
Smith, “Patrick Friesen and ‘The Mennonite Question,’“ 38-39.
— Victor Jerrett Enns, “. . . Excerpts
from the Correspondence of Patrick Friesen,” 45-52.
— Allan Safarik, “Good Night Louis,” 53-59.
— Di Brandt,
“A Letter to Patrick,” 64-67.
— Myrna Kostash, “Tracking Friesen: Notes toward an Autofiction,” 70-77.
— Nancy Trites Botkin, “One Voice,
Endless Song: Patrick Friesen,” 78-86.
— Per Brask, “In the Spirit of Collaboration: An Interview with
Patrick Friesen,” 87-101.
— Ruth Cansfield, “ Handful of Words,”
106-9.
— Patrick
Friesen, “The Dance Floor (Appartitions),” 110-11.
— Lorraine
Janzen Kooistra, “Windows in Time: The Photographic
Image in Patrick Friesen’s Poetry,” 115-23.
—
— Howard Curle, “Learning to Look: Films and Videos of Patrick
Friesen,” 151-53.
— Patrick
Friesen, “from Patrick Friesen’s the raft . act
one,” 154-58.
— Michael Springate, “Patrick Friesen and the raft ,” 159-62.
— Patrick
Friesen, “from Patrick Friesen’s the raft . act
two,” 163-69.
— Doug Arrell, “Anti-realism and
Psychological Truth,” 170-71.
— Heidi
Harms, “Myths of Family and ‘the skin’s memory,’“ 171-73.
— Reg Skene and Jacqui Good, “‘the
raft’: a Mennonite Noh Play?” 174-77.
— Maurice Mierau, “Friesen and Akhmatova,
or Silence as a Career,” 178-80.
— Scott
Ellis, “A Sceptical Mystic,” 182-85 (rev. of You
Don’t Get to Be a Saint ).
Carla
Funk
Blessing the Bones into Light.
Head Full of Sun. Robert’s Creek, BC: Nightwood, 2002.
The Sewing Room.
Paul Hiebert
Sarah Binks. 1947; rpt.
Brandt, Di. “Remembering Paul Hiebert.” Rhubarb
1:3 (Summer 1999): 43-44.
Gerson, Carole. “Sarah Binks and Edna Jaques: Parody,
Gender, and the Construction of Literary Value.” Canadian Literature 134
(Autumn 1992): 62-76.
MacKendrick, Louis K. “Paul
Hiebert.” Canadian Writers
1920-1959 Dictionary of Literary Biography Vol. 68.
Noonan,
Gerald. “Incongruity and Nostalgia in Sarah Binks.” Studies in Canadian
Literature 3 (1978); 264-73.
Panofsky,
Ruth. “’Literary Swan’
or ‘Village Goose’: Paul Hiebert’s Sarah Binks.” Publishing
History 56 (2004): 71-88.
Porter,
Saunders,
Doris. “
Siemens, Reynold. “Sarah Binks in
Retrospect: A Conversation with Paul Hiebert.” Journal of Canadian Fiction 19 (1977).
Anita Horrocks
Almost
Walfried Janssen
Not a
In the Beginning.
Jack Klassen
The Chiropractor. Altona, MB: Friesen’s Fastprint, 2003. (Novel)
Sarah Klassen
Journey to
Violence and Mercy.
Borderwatch.
Dangerous Elements.
Simone
Weil: Songs of Hunger and Love.
Days of Noah.
The Peony Season.
A Curious Beatitude.
A Feast of Longing. Regina, SK: Coteau Books, 2007.
Maust, Miriam. “An Interview with Sarah Klassen.”
The New Quarterly: New Directions in Canadian Writing 13:3 (Fall 1993):
34-45.
Anne Konrad
The Blue Jar.
Family Games.
Konrad, Anne. And in Their Silent Beauty Speaks: A Mennonite Family in
__________. “Why
the Soviet Mennonite Story Remains Unfinished.”Christian Living
April-May 2000, 4-8.
John Kooistra
Shoo-fly Dyck.
Grant Loewen
Brick, Looking Up.
Maurice Mierau
Ending With Music.
Alayna Munce
When I Was Young & In My Prime.
Barbara
Nickel
Opal’s
Sun.
The Secret Wish of Nanner
Mozart.
The Gladys Elegies.
From the Top of a Grain Elevator.
Hannah Waters and the Daughter of Johann Sebastian
Bach.
Domain: Poems, Toronto: Anansi, 2007.
Rosemary Deckert Nixon
Mostly Country . Edmondton: NeWest Press, 1991.
The Cock’s
Egg. Edmondton:
NeWest Press, 1994.
Audrey Poetker(-Thiessen)
I Sing
for My Dead in German.
Standing All the Night Through.
Making
Strange to Yourself.
Lloyd Ratzlaff
Backwater Mystic Blues.
The Crow Who Tampered with Time.
Corey Redekop
Shelf Monkey. Toronto: ECW Press, 2007.
Al Reimer
Trans. and ed., Dietrich Neufeld. A Russian Dance of Death.
Trans. and ed., Hans Harder.
No Strangers in Exile.
My Harp
Is Turned to Mourning.
Douglas
Reimer
Older Than Ravens.
Byron Rempel
True Detective.
Truth is
Naked, All Others Pay Cash: An Autobiographical Exaggeration.
Karl Schroeder [www.Kschroeder.com]
with David Nickel. The Claus Effect. Edmondton: Tesseract
Press, 1997.
Ventus. 2001.
Permanence. 2002.
Scams! Annick Press, 2004.
The Engine of Recall. Calgary: Red
Deer Press, 2005.
Thieves! Annick Press, 2005.
Sun of Suns. 2006
Lady of Mazes NYC: Tor/Forge.
Queen of Candesce
Perlmutter, David and Donovan Giesbrecht. “Mennonite in the Solar System: An Interview with Karl Schroeder.” Journal
of Mennonite Studies 25 (2007):
275-78.
Andreas
Schroeder
The Ozone Minotaur.
The Late
Shaking It Rough: Prison Memoirs.
Cheats, Charlatons, and Chicavery: More Outrageour Tales
of Skulduggery.
Toccata
in “D”: A Micro-Novel. Lantzville, B.C.: Oolichan Books,
1985.
Dustship Glory.
The
Mennonites: A
Pictorial History of Their Lives in
The
Eleventh Commandment: Mennonite Low German Short Stories. Trans. with Jack Thiessen.
Scams,
Scandals, and Skulduggery: A Selection of the World’s Most Outrageous
Frauds.
Renovating Heaven: A Novel in Triptych. Oolichan Press, 2008.
Hancock,
Geoff. “An Interview with Andreas Schroeder.” Canadian
Fiction Magazine 27 (1977): 47-69.
Schroeder,
Andreas. “The ‘New’ Short Story.” Canadian Fiction
Magazine 1 (1971): 5.
Barbara Claassen Smucker
Henry’s Red Sea. Kitchener,
Ont.: Herald Press, 1955.
Cherokee
Run.
Wigwam in the City.
Underground to
Days of Terror.
Amish Adventure. Toronto: Clarke, Irwin, 1983.
Henry’s
Red Sea.
White Mist.
Jacob’s
Little Giant.
The Incredible Jumbo.
Garth and the Mermaid.
Rich, Elaine
Sommers. “Tribute to Barbara Claassen Smucker.” Mennonite Quarterly Review 77:4 (Oct. 2003), 688-90.
Carrie Snyder
Hairhat.
Jack Thiessen
Faux Pas. Oakville, Ont.: Mosaic Press, c. 1989.
The Eleventh Commandment. Trans. with Andreas Schroeder.
Vern Thiessen
Blowfish.
Apple.
Einstein’s
Gift.
Shakespeare’s
Will.
Miriam Toews
Summer of My Amazing Luck. Winnipeg: Turnstone, 1996.
A Boy of Good Breeding.
Swing
Low: A Life.
A Complicated Kindness.
Bixler, Phyllis.
“Not Just about Mennonites:
Literary Contexts for Reading Miriam Toews’ A Complicated Kindness. Mennonite Life (June 2005). On-line.
Brandt, Di. “A Complicated Kind of Author” [interview]. Herizons 19.1 (Summer 2005): 20-45.
Gundy, Jeff. “A Complicated Kindness:
Learning, Lies, and Stories.” Mennonite
Life (June 2005). On-line.
Kreider, Robert. “Comments on Miriam Toews, A Complicated
Kindness.” Mennonite Life (June 2005). On-line.
Reimer, Al. “Look Homeward,
Nomi: Misreading a Novel as Social
History.” Mennonite Life (June 2005). On-line.
Tiessen, Hildi Froese. “’A Place You Can’t Go Home to’: A Conversation with Miriam Toews.” Prairie Fire 21.3
(2000): 54-61.
Tiessen, Paul.
“Revisiting Home: Reading Miriam Toews’s A Complicated
Kindness and Sandra Birdsell’s Children of the Day through the Lens of Ontario-Mennonite
Literature.” (forthcoming
in Mennonite Quarterly Review, January 2008.)
Wiebe, Natasha G. “’It
Gets Under the Skin and Settles in’: A Conversation with Miriam Toews.” Conrad Grebel Review 26.1 (Winter 2008): 103-24.
K. Louise Vincent
The Discipline
of Undressing. Leaf Press,
2007.
David Waltner-Toews
That Inescapable Animal.
The Earth
Is One Body. [
Good
Housekeeping.
Three Mennonite Poets.
Intercourse,
Endangered Species.
One
Animal among Many: Gaia, Goats and Gailic.
Food, Sex
and Salmonella: The Risks of Environmental Intimacy.
The Impossible Uprooting.
The Fat
Lady Struck Dumb.
One Foot in Heaven.
The
Complete Tante Tina: Mennonite Blues and Recipes.
[
Fear of Landing. Scottsdale,
AZ: Poisoned Pen Press, 2007.
Tiessen, Hildi Froese. “Literary
Refractions [and Four Poems from the Tante Tina -
Little Haenschew Dialogues].” Conrad Grebel Review 20.1 (Winter 2002): 102-11.
John Weier
After the Revolution.
Ride the
Blue Roan.
Steppe: A
Novel.
Twelve Poems for Emily Carr.
Friends Coming Back as Animals.
Coils of the Yamuna.
Marshwalker: Naturalist Memories.
Twelve Poems for Emily Carr.
Stand the
Sacred Tree.
Violinmaker’s
Lament.
Armin
Wiebe
The Salvation of Yasch
Siemens.
Murder in
Gutenthal: A Schneppa Kjnals Mystery.
The Second Coming of Yeeat Shpanst.
Tatsea.
Reimer, A.
James. “Chapter 10: Salvation Part One: Yasch
Siemens or George Brunk.” The
Dogmatic Imagination.
Reimer,
Margaret Loewen. “Armin Wiebe
Returns to Gutenthal.” Mennonite Reporter 13 Jan. 1992: 12.
Straus, Frank Michael. “The Salvation of Yasch Siemens: A
Second
Wiebe, Henry. “Myth,
Ritual and Language in Armin Wiebe’s The Salvation
of Yasch Siemens.” New Quarterly [Mennonite/s
Writing in
Rudy Wiebe
Peace
Shall Destroy Many.
First and Vital Candle.
The
The Temptations of Big Bear.
Where Is
the Voice Coming From?
The Scorched-Wood People.
Far as the Eye Can See. Edmondton: NeWest Press, 1977.
The Mad Trapper.
A Voice
in the Land: Essays By and About
Rudy Wiebe. Ed. W.J. Keith.
Edmondton: NeWest Press,
1981.
The Angel of the Tar Sands and Other Stories.
My Lovely Enemy.
Playing Dead: A Contemplation Concerning the
Chinook Christmas.
A Discovery of Strangers.
and Yvonne Johnson. Stolen Life: The Journey of a Cree Woman.
Sweeter
Than All the World.
With Geoffrey James. Place:
Hidden
Of This Earth: A Mennonite Boyhood in the Boreal
Antor, Heinz. “The Mennonite Experiences in the Novels of Rudy Wiebe.” Refractions of
Bailey,
Beck, Ervin. “The Politics
of Rudy Wiebe in The
__________. “Postcolonial Complexity in the Writings of Rudy Wiebe.” Modern Fiction Studies 47.4 (Winter
2001): 855-86.
__________. “Rudy
Wiebe and W.B. Yeats: Sailing to
Bergman,
Brian. “Pacifist and Doomed.” Maclean’s,
Bilan, R. P. “Wiebe and Religious Struggle.” Canadian Literature
77 (Summer 1978): 50-63.
Blanc,
Marie. “Tales of a Nation: Interpretive Legal Battles in Rudy Wiebe’s The Scorched-Wood People.” Canadian Literature 117
(Summer 2003): 34-54.
Bossanne, Brigitte. “A
Canadian Voice within the Text: Rudy Wiebe’s The
Temptations of Big Bear.” Etudes Canadiennes/Canadian
Studies
Bowen,
Deborah. “Squaring the Circle: The Problem of Translation in The
Temptations of Big Bear.” Canadian Literature 117 (Summer 1988):
62-70.
Bowering, George. “Wiebe and [
Braz, Albert. “The Omipresent Voice: Authorial Intrusion in Rudy Wiebe’s ‘Games for Queen
Brydon, Diana. “Troppo Agitato: Writing and
Reading Cultures.” Ariel (
Brydon, Diana &
Cameron,
David. “Rudy Wiebe: The Moving Stream is Perfectly at
Rest” (interview). In Conversations with Canadian
Novelists, Part 2.
Clunie, Barnaby W. “A
Revolutionary Failure Resurrected:
Dialogical Appropriation in Rudy Wiebe’s The Scorched-Wood People.”
The
Conrad Grebel Review Special Issue: “Rudy Wiebe
and the Mennonites: Forty Years On.” 22:2 (Spring 2004).
Coupal, Michel. “Voix et construction narrative dans The
Temptations of Big Bear de Rudy Wiebe.” Annales due Centre de Rechercher
sur l’ Amerique Anglophone 19 (1994): 25-33, 209-10.
Craig, Terrence. “Religious
Images of the Non-Whites in English-Canadian Literature: Charles Gordon and
Rudy Wiebe.”In The Native in
Literature. Ed. Thomas King, Cheryll
Calves, Helen Hoy.
Darnell,
Regna. “The Primacy of Writing and the Persistence of the
Primitive.” In Papers of the Thirty-First
Algonquian Conference. Ed. John D. Nichols.
Davidson, Arnold E. “The Provenance of Story in Rudy Wiebe’s ‘Where Is the Voice Coming From?’“ Studies in Short Fiction 22:2 (Spring 1985): 189-93.
Deringer, Ludwig. “Kulturelle Identitat in
zeitgenossischen anglokanadischen Drama.” Ed. Hans Hunfield.Wozu
Wissenschaft haute? Ringvorlesung Zw Ehren von Roland Hagenbuchle.
__________.”Old
Worlds, New Worlds: Migration,
Multilingualism and Cultural Memory in Rudy Wiebe’s Sweeter Than All the
World.” In Literature and Lebenskunst, Ed.
Eva Oppermann. Kassel, Germany: Kassel University Press, 2006. 270-40.
Dill, Vicki Schreiber. “The Idea of Wilderness in the Mennonite Novels of Rudy Wiebe.” Diss.,
__________. “Land Relatedness in the Mennonite Novels of Rudy Wiebe.” Mennonite Quarterly Review 58 (1984):
50-69.
Doerkson, Victor G. “From
Jung Stilling to Rudy Wiebe.” Mennonite Images:
Historical, Cultural and Literary Essays Dealing with Mennonite Issues. Ed. Harry Loewen.
Dueck, Allan. “Rudy Wiebe as Story-teller: Vision and Art in Wiebe’s Fiction.” M.A. thesis,
__________. “Rudy
Wiebe’s Approach to Historical Fiction: A Study of The
Temptations of Big Bear and The
Scorched-Wood People.” The Canadian Novel Here and Now. Ed. John Moss.
Dueck, Jonathan. “From
Whom Is the Voice Coming? Mennonites, First Nations People
and Appropriation of Voice.” Journal of Mennonite Studies 19
(2001): 144-55.
Duffy,
Dennis. “Wiebe’s Real Riel? The
Scorched-Wood People and Its Audience.” In Rough Justice: Essays on
Crime in Literature. Ed. M. L. Friedland.
Dyck, E. F. “Thom Wiens to Yvonne Johnson: Rudy Wiebe’s
Appropriate Voice.” Rhubarb 1:1 (Fall 1998): 29-33.
Engler, Bernd. “‘Spiritual Dislocations’: Stratagein des
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