Mennonite/s
Writing in
2010
Ervin Beck, Professor Emeritus of English, Goshen College,
Goshen, IN 46526
The bibliography consists of two major sections: “Individual
Writers” and “Discussions of Mennonite Literature.”
The bibliography does not include self-published
books, book reviews, or individual poems or stories published in periodicals or
miscellaneous collections
To suggest corrections or additions to this
bibliography, e-mail: ervinb@goshen.edu
Some of the work toward this bibliography, which was
begun by Hildi Froese Tiessen of
A. Individual Writers
Books and articles by and about Mennonite-related
writers, mainly since 1960.
David
Bergen
Sitting Opposite My Brother.
A Year of Lesser.
See the
Child.
The Case
of
The Time in Between.
The Retreat.
Beck, Ervin. “Resolving Dualisms in David Bergen’s Sitting Opposite My
Brother.” Mennonite Quarterly Review 77:4 (Oct. 2003):
637-46.
Besner,
Neil. “
Brown,
Heidi. “David Bergen.” New Quarterly: New Directions in Canadian Writing”
21:2-3 (Sum-Fall 2001): 155.
Walker,
Morley. “David Bergen: In Country.” Quill and Quire. www.quillandquire.com/authors/profile.
Wiens,
Adelia Neufeld. “Writing is Novelist’s
Miller, K.D.
“The Spirit Mover—Or Does It? Are Writers Divinely
Inspired?” New Quarterly: New Directions in Canadian Writing 21:2-3
(Sum-Fall 2001): 256-74.
Hildi Froese
Tiessen. “Where I Come From: An Interview with David Bergen.”
Prairie Fire 17.4 (Winter 1997).
Sandra
Birdsell
Night Travellers.
Ladies of the House.
The Missing Child.
The Chrome Suite.
The Two-Headed Calf.
The Town That Floated Away.
The Russlander.
Children of the Day.
Bergman,
Brian. “Pacifist and Doomed.” Maclean’s,
Birdsell, Sandra.
“The Confession of a Reluctant Mennonite.” The 2007
Bechtel Lectures.
__________.
“Introduction,” Hildi Froese Tiessen, 6-7.
__________.
“Writing from the Outside,” 8-24.
__________.
“Writing from the Inside,” 25-40. Conrad Grebel Review 26.1 (Winter 2008):
7-40
Birdsell,
Sandra. “Interview.” Prairie Bookworld 2 (Summer
1991): 11.
__________. “Robert
Kroetsch: The Class of ‘79.” Prairie Fire 9.1 (1988): 48-55.
“Birdsell,
Sandra.” Contemporary Authors 130. Ed. Susan M. Trosky. Gale:
Detroit, 1990. 37.
Diehl-Jones,
Charlene. “Sandra Birdsell’s
Doerksen,
Victor G. “‘Our Father, Which Art in Heaven...’: Some
Thoughts on the Father Image in Mennonite Poetry.” Acts of Concealment:
Mennonite/s Writing in
Duncan,
Isla. “’The Profound Poverty of Knowledge’: Sandra Birdsell’s Narrative of
Concealment.” Canadian Literature 169 (Sum 2001): 85-101.
Froese,
Edna. “A Reviewer’s Farewell.” Christian Living
Dec 2002: 20-22. On Russlander.
Harrison,
Dallas. “Birdsell, Sandra (1942- ).” Canadian Writers and Their Works . Ed.
Robert Lecker et al.
__________. “Sandra
Birdsell: An Annotated Bibliography.” Essays on Canadian Writing 48
(Winter 1992-93): 170-220.
Heinen-Dimmer,
Gabrielle. “The Whole Idea of Empathy: Prairie Realism and Female Narrative
Structure in Sandra Birdsell’s Agassiz Stories.” The Guises of Canadian
Diversity: New European Perspectives. Ed. Jaumain Serge
and Marc Maufort.
McCormack,
Eric, et al. “A Conversation with Sandra Birdsell.” New Quarterly 8
(Summer 1988): 8-22.
The New Quarterly 8 (Summer 1988). Special
issue on Sandra Birdsell, including the McCormack interview, Birdsell’s “The
Birthday Party,” 25-42 and three stories by other writers selected by Birdsell..
Quennet, Fabienne C. “Gender Troubles in Sandra Birdsell’s Short Story ‘Judgement.’“ In Ahornblatter: Marburger Beitrage zur
Kanada-Forschung, ed. Andrea Wolff-Wolk.
Stubbs,
Andrew. “The Rhetoric of Narration in Sandra Birdsell’s Fiction.” Acts of
Concealment: Mennonite/s Writing in
Tiessen,
Paul. “Minnie Pullman and the Salvation of the
__________. “Putting
Herself Forward: Naming and Performance in Sandra Birdsell’s The Russlander.”
Mennonite Quarlerly Review 77:4 (Oct. 2003), 647-62.
__________.”Revisiting Home: Reading Miriam Toews’s A Complicated Kindness and Sandra Birdsell’s Children of the Day through the Lens of Ontario – Mennonite
Literature.” (forthcoming
in Mennonite Quarterly Review,
January 2008).
Werlock,
Abby H. P. “Canadian Identity and Women’s Voices: The Fiction of Sandra
Birdsell and Carol Shields.” Canadian Women Writing
Fiction. Ed. Mickey Pearlman.
Kevin
James Block
Without Shedding of Blood.
Di Brandt
questions i asked my mother.
Agnes in the Sky.
Mother,
not Mother.
Wild Mother
Dancing: Maternal Narratives in Canadian Literature.
Dancing
Naked: Narrative Strategies for Writing Across
Centuries.
Now You
Care.
Bouquet for St. Mary.
So
This is the World and Here I am in It. Edmondton: NeWest Press, [c. 2007].
Watermelon Syrup.
Brandt, Di. “A Complicated Kind of Author” [Interview]. Herizons 19.1 (Summer 2005):20-45.
__________.
“Growing Up Among The Wild Mennonites.” Christian
Living July/Aug. 2002: 14-17.
__________. “How
I Got Saved.” Why I Am a Mennonite. Ed. Harry Loewen.
__________. “The Poet and the
__________. “Putting
the Mother Back in the Language: Maria Campbell’s Revisionary Biogeographies
and Margaret Laurence’s The
Diviners.” West Coast Line 33.2 (Fall 1999): 86-105.
__________. “Revisiting Dorothy Livesay’s The Husband.” Capilano
Review 2.32 (Fall 2000): 75-89.
__________. “Shapeshifting Strategies for the New Millennium.”
Contemporary Verse 2, 22.4 (Spring 2000):
63.
__________., ed. with Barbara Goddard. Regenerations:
Canadian Women Poets in Conversation.
Fisher,
Sheldon. “Mother, Me, My Daughter: Feminism, Maternity and the Poetry of Di
Brandt.” Wascanada Review 31:1 (Spring 1996):
31-48
Guillemot, Cecile Brisebois.
“Wild Mother Dancing: An Interview with Di Brandt.” Contemporary
Verse 2, 23.4 (Spring 2001): 7+.
Lousley,
Cheryl. “Home on the Prairie? A Feminist and Postcolonial
MacDonald,
Patterson,
Randi. “‘The sound the wind makes” on the
Tefs, Wayne.
“Rage in Some Recent Mennonite Poetry.” Acts of Concealment: Mennonite/s
Writing in
Williamson,
Janice, ed. Sounding Difference: Conversations with Seventeen
Canadian Women Writers.
Lois
Braun
The Stone Watermelon.
The Pumpkin-Eaters.
The
The
Penance Drummer: Stories.
Jan Guenther Braun
Somewhere Else.
Michael Bryson
Thirteen Shades of Black and White.
Only a
Melanie
Cameron
Holding the Dark.
Wake.
Bryson,
Michael. “Feature Interview.” The
Danforth Review. Fall 2000. http://www.danforthreview.com/features/interviews/cameron_interview.htm.
Budde,
Robert. “Beyond Wishing, She Wishes.” In Muddy Water: Conversations with 11
Poets.
Eleanor Hildebrand Chornoboy
Faspa: A
Snack of Mennonite Stories.
Jeff
Derksen
Down Time.
Dwell.
Transnational Muscle Cars.
Janice L. Dick
Calm Before the Storm.
Eye of the Storm.
Out of the Storm.
Diane
Driedger
Darkness is a Marshmallow.
The Mennonite Madonna.
Dora
Dueck
Under the
Still Standing Sun. Kindred. 1989.
With Byron Rempel-Burkholder, eds. Northern Lights – An Anthology of
Contemporary Christian Writing in
This Hidden
Thing.
Lynette d’Anna
Dueck
Sing Me
No More.
Rag Time
Bone.
fool’s bells.
E. F.
Dyck
Odpoems
&.
Pisscat
Songs. Ilderton, Ont.: Brick Books,
1983.
Mossbank
Canon.
Apostrophes to Myself. Lantzville, B.C.: Oolichan Books, 1987.
Amprimoz,
Alexandre L. “Death and the Long Poem: E. F. Dyck’s The Mossbank Canon.”
Canadian Poetry: Studies, Documents, Reviews 20
(Spring -Summer 1987): 80-89.
David H.
Elias
Crossing the Line.
Places of
Grace.
Sunday
Afternoon.
Waiting for Elvis.
Froese,
Edna. “David Elias: Beyond Ungrace.: Christian
Living Oct.-Nov. 1999, 25-27.
__________. “Speaking Redemption: Narrative Voice in David Elias’s Sunday Afternoon.” Journal of Mennonite Studies 27 (2009):
201-212.
“Transgression
into Grace: David Elias’s Sunday
Afternoon.” (forthcoming
in Mennonite Quarterly Review,
January 2008).
Victor
Jerrett Enns
Jimmy Bang Poems.
Correct
in This Culture.
A Poem of Pears.
Lucky
Bernice
Friesen
Sex, Death and
Naked Men.
The Book of
Beasts. The Book
of Beasts.
The Seasons Are Horses.. (Stories)
Gayle
Friesen
Janey’s Girl.
Men of Stone.
Losing Forever.
The Isbel Factor.
For Now.
The Valley.
Patrick
Friesen
the
lands I am.
Bluebottle.
The Shunning.
Unearthly Horses.
Flicker and Hawk.
You Don’t
Get to Be a Saint .
Blasphemer’s
Wheel.
A Broken Bowl.
st.
mary at main.
Carrying the Shadow.
The
Breath You Take from the Lord.
Bordello Poems.
Interim: Essays and Mediations.
Earth’s
Crude Gravities.
with
Marilyn Lerner, Peggy Lee and Niko Friesen.
Calling the Dog Home: a Cycle of Poems with Music
Barker,
Peter. “The Poetry of Experience: An Interview with Patrick Friesen.” Prairie
Fire 7:1 (Spring 1986): 5-14.
Friesen,
Patrick. “I Could Have Been Born in
__________. and Marilyn Lerner. Small Rooms. Westcoast Performance:
“Friesen,
Patrick.” Contemporary Authors 32 (new rev.). Ed. James G. Lesniak.
Gundy, Jeff.
“Voice and History in Patrick Friesen.” The New
Quarterly [Mennonite/s Writing in
Hostetler,
Sherri. “Interview: Poet Patrick Friesen: One Foot In, One Foot Out.” Mennonot
1 (Fall 1993): 5-9.
Lenoski,
Daniel. “The Sandbox Holds Civilization: Pat Friesen and the Mennonite Past.” Essays on Canadian Writing. Ed.
Jack David. Downsview, Ont.:
Pearson,
Tefs, Wayne.
“
Tiessen,
Hildi Froese. “Hooked, but Not Landed: A Conversation with Patrick Friesen,
Part II.” Prairie Fire 2:2 (1990): 152-9.
__________. “Zen,
Grace, and Flying: A Conversation with Patrick Friesen, Part 1.” The New
Quarterly [Mennonite/s Writing in
__________ and G. N. Louise
Jonasson, eds. Prairie Fire [special issue on Patrick Friesen] 13 (
Spring 1992).
— Hildi
Froese Tiessen, “Words Are Not Enough,” 5-7.
— Patrick
Friesen, “A Biography in Outline,” 8-9.
— Robert
Enright, “Parallel Language: A Conversation between Patrick Friesen. . .”
11-29.
— Kim McCaw, “The Shunning by Flashlight,” 34-47.
— Peter
Smith, “Patrick Friesen and ‘The Mennonite Question,’“ 38-39.
— Victor
Jerrett Enns, “. . . Excerpts from the Correspondence of Patrick Friesen,”
45-52.
— Allan
Safarik, “Good Night Louis,” 53-59.
— Di Brandt,
“A Letter to Patrick,” 64-67.
— Myrna
Kostash, “Tracking Friesen: Notes toward an Autofiction,” 70-77.
— Nancy
Trites Botkin, “One Voice, Endless Song: Patrick Friesen,” 78-86.
— Per Brask,
“In the Spirit of Collaboration: An Interview with Patrick Friesen,” 87-101.
— Ruth
Cansfield, “ Handful of Words,” 106-9.
— Patrick
Friesen, “The Dance Floor (Appartitions),” 110-11.
— Lorraine
Janzen Kooistra, “Windows in Time: The Photographic Image in Patrick Friesen’s
Poetry,” 115-23.
—
— Howard
Curle, “Learning to Look: Films and Videos of Patrick Friesen,” 151-53.
— Patrick
Friesen, “from Patrick Friesen’s the raft . act
one,” 154-58.
— Michael
Springate, “Patrick Friesen and the raft ,” 159-62.
— Patrick
Friesen, “from Patrick Friesen’s the raft . act
two,” 163-69.
— Doug Arrell, “Anti-realism and Psychological Truth,” 170-71.
— Heidi
Harms, “Myths of Family and ‘the skin’s memory,’“ 171-73.
— Reg Skene
and Jacqui Good, “‘the raft’: a Mennonite Noh Play?” 174-77.
— Maurice
Mierau, “Friesen and Akhmatova, or Silence as a Career,” 178-80.
— Scott
Ellis, “A Sceptical Mystic,” 182-85 (rev. of You Don’t Get to Be a Saint ).
Carla
Funk
Blessing the Bones into Light.
Head Full of Sun. Robert’s Creek, BC:
Nightwood, 2002.
The Sewing Room.
Paul Hiebert
Sarah Binks. 1947; rpt.
Brandt, Di. “Remembering Paul Hiebert.” Rhubarb 1:3 (Summer
1999): 43-44.
Gerson,
Carole. “Sarah Binks and Edna Jaques: Parody, Gender, and the Construction of
Literary Value.” Canadian Literature 134 (Autumn
1992): 62-76.
MacKendrick,
Louis K. “Paul Hiebert.” Canadian Writers 1920-1959 Dictionary
of Literary Biography Vol. 68.
Noonan,
Gerald. “Incongruity and Nostalgia in Sarah Binks.”
Studies in Canadian Literature 3 (1978); 264-73.
Panofsky,
Ruth. “’Literary Swan’
or ‘Village Goose’: Paul Hiebert’s Sarah
Binks.” Publishing History 56 (2004):
71-88.
Porter,
Saunders,
Doris. “
Siemens,
Reynold. “Sarah Binks in Retrospect: A Conversation with Paul Hiebert.” Journal of Canadian Fiction 19 (1977).
Anita Horrocks
Almost
Walfried
Janssen
Not a
In the Beginning.
Jack Klassen
The Chiropractor. Altona, MB: Friesen’s Fastprint, 2003. (Novel)
Sarah Klassen
Journey to
Violence and Mercy.
Borderwatch.
Dangerous Elements.
Simone
Weil: Songs of Hunger and Love.
Days of Noah.
The Peony Season.
A Curious Beatitude.
A Feast of Longing.
Maust,
Miriam. “An Interview with Sarah Klassen.” The New
Quarterly: New Directions in Canadian Writing 13:3 (Fall 1993): 34-45.
Anne Konrad
The Blue Jar.
Family Games.
Konrad,
Anne. And in Their Silent Beauty
Speaks: A Mennonite Family in
__________. “Why
the Soviet Mennonite Story Remains Unfinished.”Christian Living
April-May 2000, 4-8.
John
Kooistra
Shoo-fly Dyck.
Grant
Loewen
Brick, Looking Up.
Maurice
Mierau
Ending With Music.
Fear Not.
Alayna Munce
When I Was Young & In My Prime.
Barbara
Nickel
Opal’s
Sun.
The Secret Wish of Nanner Mozart.
The Gladys Elegies.
From the Top of a Grain Elevator.
Hannah Waters and the Daughter of Johann Sebastian
Bach.
Domain: Poems,
Rosemary
Deckert Nixon
Mostly Country . Edmondton: NeWest Press, 1991.
The Cock’s
Egg. Edmondton: NeWest Press, 1994.
Christina Penner
Widows of
Audrey Poetker(-Thiessen)
I Sing
for My Dead in German.
Standing All the Night Through.
Making
Strange to Yourself.
Lloyd Ratzlaff
Backwater Mystic Blues.
The Crow Who Tampered with Time.
Corey Redekop
Shelf Monkey.
Al Reimer
Trans. and ed., Dietrich Neufeld. A Russian Dance of Death.
Trans. and ed., Hans Harder.
No Strangers in Exile.
My Harp
Is Turned to Mourning.
When War Came to Kleindarp and More
Kleindarp Stories.
Douglas
Reimer
Older Than Ravens.
Byron
Rempel
True Detective.
Truth is
Naked, All Others Pay Cash: An Autobiographical Exaggeration.
Karl
Schroeder [www.Kschroeder.com]
with David Nickel. The Claus Effect. Edmondton: Tesseract Press,
1997.
Ventus. 2001.
Permanence. 2002.
Scams! Annick Press, 2004.
The Engine of Recall.
Thieves! Annick Press, 2005.
Sun of Suns. 2006
Lady of Mazes NYC: Tor/Forge.
Queen of Candesce
Perlmutter, David and Donovan Giesbrecht. “Mennonite in the Solar System: An Interview with Karl Schroeder.” Journal
of Mennonite Studies 25 (2007):
275-78.
Andreas
Schroeder
The Ozone Minotaur.
The Late
Shaking It Rough: Prison Memoirs.
Cheats, Charlatons, and Chicavery: More Outrageour
Tales of Skulduggery.
Toccata
in “D”: A Micro-Novel. Lantzville, B.C.:
Oolichan Books, 1985.
Dustship Glory.
The
Mennonites: A
Pictorial History of Their Lives in
The
Eleventh Commandment: Mennonite Low German Short Stories. Trans. with Jack Thiessen.
Scams,
Scandals, and Skulduggery: A
Selection of the World’s Most Outrageous Frauds.
Renovating Heaven: A Novel in Triptych. Oolichan Press, 2008.
Hancock,
Geoff. “An Interview with Andreas Schroeder.” Canadian
Fiction Magazine 27 (1977): 47-69.
Schroeder,
Andreas. “The ‘New’ Short Story.” Canadian Fiction
Magazine 1 (1971): 5.
Barbara
Claassen Smucker
Henry’s
Cherokee
Run.
Wigwam in the City.
Underground to
Days of Terror.
Amish Adventure.
Henry’s
Red Sea.
White Mist.
Jacob’s
Little Giant.
The Incredible Jumbo.
Garth and the Mermaid.
Rich, Elaine
Sommers. “Tribute to Barbara Claassen Smucker.” Mennonite Quarterly Review 77:4 (Oct. 2003), 688-90.
Carrie Snyder
Hairhat.
Jack
Thiessen
Faux Pas. Oakville, Ont.: Mosaic Press, c. 1989.
The Eleventh Commandment. Trans. with Andreas Schroeder.
Vern
Thiessen
Blowfish.
Apple.
Einstein’s
Gift.
Shakespeare’s
Will.
Miriam
Toews
Summer of My Amazing Luck.
A Boy of Good Breeding.
Swing
Low: A Life.
A Complicated Kindness.
The Flying Troutmans.
Bixler, Phyllis. “Not Just about
Mennonites: Literary Contexts for
Reading Miriam Toews’ A Complicated
Kindness. Mennonite Life (June
2005). On-line.
Brandt, Di. “A Complicated Kind of Author” [interview]. Herizons 19.1
(Summer 2005): 20-45.
Gundy, Jeff. “A Complicated Kindness: Learning,
Lies, and Stories.” Mennonite Life
(June 2005). Online.
Kreider, Robert. “Comments on Miriam Toews, A Complicated Kindness.” Mennonite Life (June 2005). Online.
Reimer, Al. “Look Homeward,
Nomi: Misreading a Novel as Social
History.” Mennonite Life (June 2005). Online.
Steffler, Margaret. “Fragments and Absences: Language and Loss in Miriam
Toews’s A Complicated Kindness.” Journal of Canadian Studies 43.3 (Autumn 2009): 124-45.
Tiessen, Hildi Froese. “’
Tiessen, Paul. “Revisiting
Home: Reading Miriam Toews’s A Complicated Kindness and Sandra
Birdsell’s Children of the Day through the Lens of Ontario-Mennonite
Literature.” (forthcoming
in Mennonite Quarterly Review, January 2008.)
Wiebe,
Natasha G. “’It Gets Under the Skin and Settles in’: A Conversation with Miriam
Toews.” Conrad Grebel Review 26.1
(Winter 2008): 103-24.
K. Louise
Vincent
The Discipline
of Undressing. Leaf Press,
2007.
David Waltner-Toews
That Inescapable Animal.
The Earth
Is One Body. [
Good
Housekeeping.
Three Mennonite Poets.
Intercourse,
Endangered Species.
One
Animal among Many: Gaia, Goats and Gailic.
Food, Sex
and Salmonella: The Risks of Environmental Intimacy.
The Impossible Uprooting.
The Fat
Lady Struck Dumb.
One Foot in Heaven.
The
Complete Tante Tina: Mennonite
Blues and Recipes. [
Fear of Landing.
The
Chickens Fight Back: Pandemic
Panics and Deadly Diseases. . .
Tiessen,
Hildi Froese. “Literary Refractions [and Four Poems from the
Tante Tina - Little Haenschew Dialogues].” Conrad Grebel Review
20.1 (Winter 2002): 102-11.
John
Weier
After the Revolution.
Ride the
Blue Roan.
Steppe: A
Novel.
Twelve Poems for Emily Carr.
Friends Coming Back as Animals.
Coils of the Yamuna.
Marshwalker:
Naturalist Memories.
Twelve Poems for Emily Carr.
Stand the
Sacred Tree.
Violinmaker’s
Lament.
Armin
Wiebe
The Salvation of Yasch Siemens.
Murder in
Gutenthal: A Schneppa Kjnals Mystery.
The Second Coming of Yeeat Shpanst.
Tatsea.
Reimer, A.
James. “Chapter 10: Salvation Part One: Yasch Siemens or
George Brunk.” The Dogmatic Imagination.
Reimer,
Margaret Loewen. “Armin Wiebe Returns to Gutenthal.” Mennonite Reporter 13 Jan. 1992: 12.
Straus, Frank Michael. “The Salvation of Yasch Siemens: A Second
Wiebe,
Henry. “Myth, Ritual and Language in Armin Wiebe’s The Salvation of Yasch
Siemens.” New Quarterly [Mennonite/s Writing in
Rudy
Wiebe
Peace
Shall Destroy Many.
First and Vital Candle.
The
The Temptations of Big Bear.
Where Is
the Voice Coming From?
The Scorched-Wood People.
Far as the Eye Can See.
Edmondton: NeWest Press, 1977.
The Mad Trapper.
A Voice
in the Land: Essays By and About
Rudy Wiebe. Ed. W.J. Keith. Edmondton: NeWest
Press, 1981.
The Angel of the Tar Sands and Other Stories.
My Lovely Enemy.
Playing Dead: A Contemplation Concerning the
Chinook Christmas.
A Discovery of Strangers.
and Yvonne Johnson. Stolen Life: The Journey of a Cree Woman.
Sweeter
Than All the World.
With Geoffrey James. Place:
Hidden
Of This Earth: A Mennonite Boyhood in the Boreal
Antor,
Heinz. “The Mennonite Experiences in the Novels of Rudy
Wiebe.” Refractions of
Bailey,
Beck, Ervin. “The Politics
of Rudy Wiebe in The
__________. “Postcolonial Complexity in the Writings of Rudy Wiebe.” Modern
Fiction Studies 47.4 (Winter 2001): 855-86.
__________. “Rudy
Wiebe and W.B. Yeats: Sailing to
Bergman,
Brian. “Pacifist and Doomed.” Maclean’s,
Bilan, R. P.
“Wiebe and Religious Struggle.” Canadian Literature 77 (Summer 1978):
50-63.
Birkwood,
Susan. “From ‘Naked Country’ to ‘Shattering Ice’: Rudy Wiebe’s Revisionist
Treatment of John Franklin’s First Arctic Narrative. Nordlit: Arbiedstidsskrift i Litteratur 23 (Spring 2008): 25-38.
Blanc,
Marie. “Tales of a Nation: Interpretive Legal Battles in Rudy Wiebe’s The
Scorched-Wood People.” Canadian Literature 117 (Summer 2003): 34-54.
Bossanne,
Brigitte. “A Canadian Voice within the Text: Rudy Wiebe’s The Temptations of
Big Bear.” Etudes Canadiennes/Canadian Studies
Bowen,
Deborah. “Squaring the Circle: The Problem of Translation in The
Temptations of Big Bear.” Canadian Literature 117 (Summer 1988):
62-70.
Bowering, George. “Wiebe
and [
Braz,
Albert. “The Omipresent Voice: Authorial Intrusion in Rudy Wiebe’s ‘Games for
Queen
Brydon,
Diana. “Troppo Agitato: Writing and Reading Cultures.” Ariel (
Brydon, Diana &
Cameron,
David. “Rudy Wiebe: The Moving Stream is Perfectly at Rest” (interview). In Conversations with Canadian Novelists, Part 2.
Clunie,
Barnaby W. “A Revolutionary Failure Resurrected: Dialogical Appropriation in Rudy Wiebe’s The Scorched-Wood People.”
The
Conrad Grebel Review Special Issue: “Rudy
Wiebe and the Mennonites: Forty Years On.” 22:2 (Spring
2004).
Coupal, Michel. “Voix et construction narrative dans The
Temptations of Big Bear de Rudy Wiebe.” Annales due Centre de Rechercher
sur l’ Amerique Anglophone 19 (1994): 25-33, 209-10.
Craig, Terrence. “Religious
Images of the Non-Whites in English-Canadian Literature: Charles Gordon and
Rudy Wiebe.”In The Native in Literature. Ed.
Thomas King, Cheryll Calves, Helen Hoy.
Darnell,
Regna. “The Primacy of Writing and the Persistence of the
Primitive.” In Papers of the Thirty-First
Algonquian Conference. Ed. John D. Nichols.
Davidson, Arnold E. “The Provenance of Story in Rudy Wiebe’s ‘Where Is
the Voice Coming From?’“ Studies in Short Fiction 22:2 (Spring 1985):
189-93.
Deringer, Ludwig. “Kulturelle Identitat in
zeitgenossischen anglokanadischen Drama.” Ed. Hans Hunfield.Wozu
Wissenschaft haute? Ringvorlesung Zw Ehren von Roland Hagenbuchle.
__________.”Old
Worlds, New Worlds: Migration,
Multilingualism and Cultural Memory in Rudy Wiebe’s Sweeter Than All the World.” In Literature and Lebenskunst, Ed. Eva Oppermann. Kassel, Germany: Kassel University Press, 2006. 270-40.
Dill, Vicki Schreiber. “The Idea of Wilderness in the Mennonite Novels of Rudy Wiebe.”
Diss.,
__________. “Land Relatedness in the Mennonite Novels of Rudy Wiebe.” Mennonite
Quarterly Review 58 (1984): 50-69.
Doerkson,
Victor G. “From Jung Stilling to Rudy Wiebe.” Mennonite Images: Historical,
Cultural and Literary Essays Dealing with Mennonite Issues. Ed. Harry Loewen.
Dueck,
Allan. “Rudy Wiebe as Story-teller: Vision and Art in Wiebe’s Fiction.” M.A. thesis,
__________. “Rudy
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