Discovering Artists Books
                    The art, the artist and the issues

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Introduction

1. The blind men and the artists book: Seeking a definition

2. A brief history of the artists book: Finding a context

3. Interviews with artists: Art and issues

4. The growth of Artists books: Exploration and clarification

5. Artists books in the future: Opportunities and challenges

Bibliography

 

 

 

 

 

 



 

 

 

William Harroff, Roxana, IL. Flat Beer, 1987, tin cans, wire pigment, 7 x 4 ", 8.25" wide fully opened

 

 

 

Larry B. Thomas, Atlanta, GA. Flagellation Book #10-4-D/10-4-D-yea, 1987, mixed media, tax forms, 23 x 5.25"

Intent is everything

"Artists book" is a (controversial term given to) book or book-like object in which the primary interest, or emphasis, is visual rather than textual. The controversy arises because some feel strongly that a book, to be considered a book, must behave in all respects like a book. Otherwise it's not a book but something else, such as sculpture.
- Richard Miller, editor, Canadian Bookbinder and Book Artist Guild


A book which is itself the thing to be communicated, not a support for conveying something other than itself. In an artist-book the book is the art, not just a possible enabling factor for time delayed (mass) communication. -Angela Moll, Cornell University library

Perhaps the Fluxist movement would define an artists book as some thing that involves linking together. Thought - execute imaginary - tangible to be - it is. -Colette Vosberg, artist

Artists are trying to redefine the notion of a book. ... There also seems to be a couple of lines of arguments. One seems to have to do with structure while the other has to do with function. These are two completely different ideas. Structure has to do with the physical object. People who seem to be stuck on structure are discounting the purpose of the book. What does the book do? In simplest terms it relays information.
- Berwyn Hung, Five Feather Press


What I have liked so much about the book arts, using that term to encompass the whole range, is how welcoming it is. I feel I have found a place where my work can fit and I feel comfortable. The fact that it is so hard to agree on a definition may make life difficult for art historians and critics, but I think it is wonderful for artists.


- Susan Kapuscinski Gaylord, artist, teacher


If "Artists" Book" is a statement of result, in that it's a book by an artist, I'd rather stake my claim as a "Book Artist," which is a statement of intent: that the Book is my medium of Art. I don't make "artist"s books." I make "Book Art," in the sense that others make painting or sculpture. It's important that the sophisticated viewer of my work bring with them the history of the book, from the use of caves to preserve human marks to the use of electronic media. Of course you'll find a lot of artists entering any field who don't know the history, and only bring their personal experience to the table. Sometimes that produces something that we all can learn from. If I see one new thing in a work I'm happy.
- Richard Minsky, founder, New York Center for the Book

Definition may limit creativity
Though I hate the notion of a definition, since by defining what an artists book is, may lead to excluding SOMETHING which, upon reading the definition, would work to eliminate SOMEONE who would have perhaps made an artists book (or books) which would have been an enriching and tremendous addition to the realm of art itself, not just artists books.
- Lucy Alexander, artist

Some of us choose to work within Artists/Books precisely because of the utterly refreshing elusiveness of a set of defining LIMITATIONS.
- Melissa Jay Craig, director, Chicago Center for the Book

An artists' book is a book whose whole entity is intended to be a work of art, where the design and structure are subordinate to the communication, even though they may enhance it. I suppose there would always be some works on the borderline between books and artist's books and sculptures. But art is not something that can be neatly divided into categories, which doesn't mean that categories can't be useful if you aren't rigid about them.
         The problem (for the purists), however, is when a work is created which ignores - or defies - one or more aspects of the traditional book, such as the pages being glued, nailed, or otherwise fastened together so that the book will not open.
I have no doubt that, in time, the controversy will abate when people realize that objects (or sculpture) which have been inspired by, or heavily influenced by "the fetish-object known as book" (to quote Stan Bevington), can be considered "artists books" even though they don't conform in all respects to some ten-point checklist of what makes a traditional book.
- Richard Miller, editor, Canadian Bookbinder and Book Artist Guild Newsletter


   
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The blind men and the artists book
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