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Above: Mallarme,
Un Coup de des, 1897
Below: Filippo Marinetti, Les mots en liberte ( The Words
to freedom), 1919

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... The resulting plate would be
etched in extremely shallow relief, making both sides of the plate
usable, for economy."14 The plate was then inked and printed on
a rolling press. After printing the images were sensitively hand-colored
with watercolors by Blake and his wife, Catherine Sophia Boucher.
         In this way Blake's work resembles the illuminated manuscripts of
the 7th and 8th centuries, with each page being colored individually
to make a one-of-a-kind work of art.          Another poet that is is frequently
referred to as being an influence or inspiration for 20th and 21st
century book artists is the French poet Stéphane Mallarmé (1842-1898).
In his work he was searching for "a book in which typography and
even the foldings of the pages achieve an ideational, analytical,
and expressive significance."15 He saw the book as an expansion
of the letter where each phrase had a relationship with the page
and proportion of the book. Paul Valéry, one of Mallarmé's colleagues
describes his work in this way.
Mallarmé finally showed me how the words were arranged
on the page. It seemed to me that I was looking at the form and
pattern of a thought, placed for the first time in finite space.
Here space itself truly spoke, dreamed, and gave birth to temporal
forms. Expectancy, doubt, concentration all were visible things.16
         In Un
Coup de dés (A Throw of the Dice) first published in 1897, one
can see how placement and typography inspire the text, expanding and
clarifying its meaning. By varying the type size, boldness of face
and arrangement of the text, Mallarmé encourages the reader to invent
his or her own order of reading.17 This idea was later adopted by
Futurist Filippo Marinetti in his 1912 manifesto Parole
in Liberta (Words at Liberty). In an interview in Artists/Author:
Contemporary Artists' Books,Martha Wilson likens this period in
the beginning of the 20th century to the 1960s, where artists were
seeking new means to get attention. The Futurists were using print
to broadcasting their ideas, and in the 1960s artists found cheaply
produced, easily distributed books a good medium to disseminate their
ideas.
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