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Above: Gutenburg Bible, hand-painted illuminations, printed on vellum, 15th-century

Below: The Works,by William Congreve, printed by John Baskerville, 1761



 

One cannot look at the history of the art of the book without mentioning Johannes Gutenburg. While his name is synonymous with the invention6 of moveable type and the printing press, he also contri-buted much to the furtherment of beautiful books and excellence in the art of printing. The Gutenburg or 42 Line Bible took six years to complete and is still considered unsurpassed in its printing quality.7 His goal how-ever was not to further develop the format or other aspects of the book, but to create work that mimicked those done by the hand of the scribes.
         Because of the proliferation of printing in Europe, the need arose for a larger selection of typefaces. Type designers such as Aldus Manutius (1450-1515) not only developed new typefaces, but also began to experiment with the layout and design of the page, using the shape of the printing on the page to add visual interest.
         Another typographer and printer, John Baskerville (1706-75) had wide spread influence that shaped the book design of this era. In addition to the typefaces he developed, Baskerville also invented a system where he hot pressed the printed page with heated copper cylinders, creating a crisp, smooth, glossy surface and "books of dazzling contrast, simplicity and refinement."8 Baskerville's tasteful design and consideration of the book as a whole is in contrast to the very ornate and flamboyant styles of the period and demonstrate his guiding principle that nothing should interfere with the clarity of the message. In the 21st century it is Baskerville's typography that he is best known for. The typeface bearing his name is now considered "the transitional" typeface that created a bridge for type design to move from the "Old Style" (Caslon, Goudy, etc.) to the "Modern" (Bodoni, Didot, etc.). The transition is marked by the subtle increase in the contrast between in the thick and thin strokes as shown below.

         Goudy       Baskerville       Bodoni

 

 

 

 

 

 

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A brief history of the artists book
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